12 dancers, 12 squares of sidewalk.
 
Performed at Dixon Place & on sidewalks around NYC.
 
 
 
Original score: Brian Mundy.
 
Dance installations and interventions about relating in twos. Opened exhibit including the work of John Miller, Otto Berchem, Aaron Krach and Iki Nakagawa.
 
3rd Ward Gallery, Brooklyn, NY.
 
 
Music by Evan O’Reilly and Jinsoo Kim.
“A wonderfully creepy dance for ghosts and children...”
            --The Baltimore Sun
 
 
Choreography for production by
The Chateauville Foundation. Conducted by Maestro Lorin Maazel.
 
 
Kennedy Center, Washington DC.
 
 
A frame for dances that pop up on our way to and from the subway. Performed in and around subway stations in the Bronx, Brooklyn, Queens and Manhattan.

Restaged for metro stations in Caracas, Venezuela (2006).



Music: Sam Hoyt with Mike Pride, Nate Wooley and 
Bryan Eubanks Tying and untying. 
A commissioned work for 14 dancers of Danza Contemporánea de Cuba. 

Días de la Danza Festival
Teatro Mella ,Havana, Cuba.


Music: Beethoven Symphony # 7
1980s Southern California,
poisoned omelette gets the girl.
 
 
Presented by the Manhattan Opera Theater.
Florence Gould Hall, NYC.
 
Directed by Jimmy Smith.
Conducted by Yoon Jae Lee.
States of in-between.
A duet with musician Evan O’Reilly.
 
 
Encuentro Internacional de Danza en Paisajes Urbanos, Havana, Cuba
Lots of baggage, real and imagined.
 
Performed at Bradley Airport in Hartford, CT, La Guardia Airport, NYC, and in the 2000 DanceNow/Downtown Festival.
 
Music: Naftule’s Dream
 
 
You think we could still get away with this one???
The Dating Show (2007)
Any Closer (2006)
“If I held you any closer, I’d be behind you.”
                                                            --Groucho Marx
The Turn of the Screw (2006)
                              By Benjamin Britten
If You See Something (2005)
Le Docteur Miracle (2004)
                                       By George Bizet
Desatar (2003)
Entre (2003)
Baggage Claim (2000)
Photo: Valerie Komar
Photo: Tabata Peregrin
Photo: Mike Fitelson
Photo: Anthony Collins
Photo: Karissa Krenz
Photo: Nancy Reyes
Photo: Andrew Witkin
The Dances
Tres Pasos (2008)
Masking tape to mark the distances and intimacies
of performer, audience and theater.
 
Festival Escenario Urbano
Piso Experimental La Azotea, Caracas, Venezuela
 
Original Music by Manuel Morales
One dancer, one viewer, one ipod, two sets of headphones. Viewer picks the music. Dancer does a dance.
Many small theaters fill a street.
 
Bushwick Site Fest, Brooklyn, NY
Splitters (2009)
 Charred Remains (2009)
A One-Minute Horror Ballet to Retroactively Save Gay Marriage
Girls marry. Aliens birthed. Mormon frets. Zombies dance. Black swan avenges. Everyone dies. No vote. 
Dead but happy.


60 x 60 Dance
Galapagos, Brooklyn.
Photo: Steven Schreiber    
 
 
Ride the Q train for 24 hours.
First departure from Coney Island 6:59 am, Thursday, December 3, 2009.
Last arrival at Coney Island 6:58 am, Friday, December 4.
Q Train 24 Hours (2009)
Slipknot (2010)
We exchange names and
hold each other across lengths of disassembled t-shirt. 
We move closer together through tension and repetition.
 
Movement Research at the Judson Church, NYC.
Photo by Ian Douglas  
We watch and are watched. We dance and sing. 
Everything and everyone is a potential souvenir.

A traveling dance about traveling, Part II
For traffic circles and boardwalk, NYC.

Original Music: Karen Waltuch with Ben Holmes & Nate Wooley.


Part I: It Calls You. At chashama, nyc. 2007
And Possibility (2008)
Photo: Mike Fitelson
Gises (2009)
I stop you and offer you a piece of chalk. You write. Alone or with your help, I move through your words. First rain cleans the street.
 
 
Prisma Forum,  Oaxaca, Mexico.
 
 
Photos: Novo
Slow Falls (2011)
4 dancers, starting 6 minutes apart, mark 24 slow falls in 139 minutes on 6 building exteriors.
 
Presented by the Movement Research FESTIVAL!*
Photo: Steven Schreiber  
Project Page
Being Away and Walking (2012)
Photo: Steven Schreiber  
April 27, 2012
4pm until full darkness (approximately 8:30 pm)
 
Begin walking around the intersection at 4pm.
Walk in one direction, clockwise or counterclockwise.
Do not leave the intersection.
Walk and wait in time with the traffic lights.
Continue walking until full darkness.