Curator and performance scholar Charles Aubin discusses his work at Paris’s Centre Pompidou and New York’s Performa Biennial, focusing on the current interest in live art and performing arts curation. Aubin addresses the differences in curatorial strategies in a yearlong programming calendar versus a biennial, the funding structures in Europe versus the U.S. and the attendant challenges, as well as the the artistic cross-pollination he is interested in fostering between international artists and audiences.